Open Fridays, Saturdays, & Sundays 11:00 AM until 5:00 PM (& by appointment) |
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Celebrating Early California, Western, and American Art 1580 Eastshore Road, PO Box 325, Bodega Bay, CA 94923, 707-875-2911 email: Art@BodegaBayHeritageGallery.com | www.BodegaBayHeritageGallery.com |
Bodega Bay Heritage Gallery Monthly May 2010 | Gallery Notes Neighboring Galleries Museum Exhibits: The Greater Bay Area, So. California & Beyond Visit our archives page now offering a "clickable" photo index of previous newsletter articles |
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SF's de Young presents Birth of Impressionism: Masterpieces from the Musée d’Orsay, May 22 - Sep 6, 2010 |
Milford Zornes Exhibition Not to be missed ... at the Wilding Museum, Los Olivos, CA near Solvang |
Gallery Exhibit, April 17 "Generations" Alexander and Alexander II Dzigurski & John W. and Kathi Hilton |
John W. Hilton & General George S. Patton: an exerpt from The Man Who Captured Sunshine by Katherine Ainsworth |
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In the days after the attack on Pearl Harbor, John W. Hilton was introduced to a group of Army officers meeting in the Indio Hotel Restaurant. The officers asked John about the best locations to train tank crews for General George Patton. John willingly shared his best advice and drew a circle on the officer's map. Soon afterward, military materiel flooded into the desert, and Camp Young was born. In short order, General Patton invited John for dinner where the general thanked John for his map, and enlisted his participation in several reconnoitering trips, where John and the general surveyed the California and Arizona deserts. |
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Following is an excerpt from a biography of John W. Hilton by Katherine Ainsworth which retells the tale of John and his first meeting with General George S. Patton. “Randy volunteered for service the next day and I never saw him again,” recalled Hilton. “News that America was again involved in a war shattered the tranquility of our desert and shook us up as it did everyone in the nation. Pretty soon rumors were being spread about as to the role the desert was to play in the war effort. Some folks said there was to be a training camp installed somewhere, but I didn’t pay any attention.” One night shortly after the bombing of Pearl Harbor, John Hilton and his neighbor Russ Nicoll were having dinner at the Indio Hotel. He noticed that at a nearby table a group of army officers were studying some maps and talking intently to the owner of the hotel. In a few minutes, the proprietor came over to Hilton’s table and said, “These men are on General Patton’s staff. They are trying to locate a good place for a training camp and want to meet someone who knows the desert. I told them nobody knew more about it than John Hilton. Can you come over and suggest a suitable place?” |
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John went and after being introduced to the men, sat down at their table and looked at the map before them. It was an ordinary map put out by the Automobile Club of Southern California. John listened as they outlined their requirements and then studied the map for a few moments. He picked up a pencil and drew a large circle near Mecca, east of Indio. He told them that he thought they would find what they were seeking in that general area. The land was reasonably level and well-drained, there was an adequate water supply available from the L.A. aqueduct, and the highways were nearby. The men thanked him and left. Hilton thought no more of the matter until government surveyors came down to the desert and were quickly followed by large tractors and other earth-moving equipment. Within months Camp Young was established and General Patton and his tanks and army recruits arrived to train for the North African campaign of the war. When the camp was well established, General Patton called upon John’s knowledge and familiarity with the desert terrain. Hilton was invited to dinner out at Camp Young and General Patton presented his special guest with a map. It was the same map on which John had drawn the circle that night at the Indio Hotel. On it the engineers had drawn a small rectangle which was about the shape of the camp, which fitted inside the circle. On the map, Patton had written, “Thanks, John, you saved us a lot of trouble.” |
A limited number of copies are available |
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This map Hilton still cherishes as much as he would a Presidential Citation.
It was a matter of great satisfaction to John that this great general valued his knowledge of the desert enough to call upon him for advice. Patton wanted him to accept a job with the army, but Hilton’s long years of childhood indoctrination with the loving pacifistic teachings of his church would not permit him to yield on this persuasion. Then, too, he wanted to remain free of any obligations and entanglements with the governmental red tape. He decided that whatever information he possessed which could be helpful he would gladly give, but when the demands increased, his painting time was pushed aside. |
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Troop train enroute to Camp Young in Indio |
These phone calls for advice became more and more frequent. Usually when he arrived, he would find Patton studying a map on a table and the general would ask, “What is this terrain like? Is there any cholla or barrel cactus in this area?" If Hilton said “No,” then Patton would say, “Good then we can use this area for night maneuvers.” Then he would go on to explain, “I want my men to take just as rough a beating as I can give them in as near the situation they will have in North Africa, but there isn’t any cactus in North Africa so I don’t want them wasting time pulling cactus spines from each other’s ass.” |
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From time to time John went on exploration trips with the General, or “Old Man” as he was affectionately beginning to refer to him in his mind as did most of the soldiers. “I think I got to know the Old Man pretty well, if anyone ever did, on those trips,” Hilton said. “One time we went out across the Colorado River into Arizona, inspecting the area. We were traveling in two Jeeps -- two officers and myself and the General and two drivers. We stopped on a mesa and the Old Man said, ‘Lets stop right here on this level place for the night.’" “I said, ‘General in my opinion this is not a good place to camp. This is the time of year for sidewinders and this spot is between two deep washes full of ironwood trees and a lot of brush, and its just close enough that sidewinders would be possibly crawling from one was to another, and coming through the camp.’ |
Tents at Camp Young in Indio |
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Camp Young Tank crew member and his canteen During training, canteen water was rationed to help the men adapt to the conditions they would find in North Africa. |
The General just snorted, ‘Oh bosh, I don’t see any sidewinders.’ Well, who was I to argue with a general, so we set up camp,” continued Hilton in recalling his experiences with Patton. “We soon had a roaring ironwood fire going and all of a sudden one of the drivers got a strange look on his face and I followed his eyes. There, coming out of the darkness right toward us, was a sidewinder. There’s a thing about campfires and sidewinders -- they are attracted by the light. It fascinates them like it does to a moth. Well, that little old sidewinder came twisting from side to side right in and I saw that by now the General was watching, too. Just as that sidewinder got fairly close to the campfire, the Old Man pulled out one of his famous pearl-handled revolvers he always wore and let him have it. |
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That night the two drivers slept in one of the Jeeps. I looked kind of longingly at them but the Major, the General, and I slept on the ground in sleeping bags. After Patton stood in that famous stance of his, legs spread apart and hands on hips glaring off into the darkness, and roared out, ‘Those damned snakes won’t crawl into a sleeping bag!’ We meekly had followed his action and timidly slipped into our bags. Sure enough, the snakes didn’t bother us. Guess even sidewinders knew better than to defy "Old Blood and Guts" Patton. But the next night he said sort of casually, ‘Hell, John, you pick the camping place.’” |
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Below are links to our previous Bodega Bay Heritage Gallery Painters of the Desert Gallery Exhibition and links to newsletter articles relating to John W. Hilton. |
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http://www.GeneralPattonMuseum.com | our John W. Hilton Page | our Kathi Hilton Page | Back to the Top |
Interior of Paris' Musee D'Orsay |
SF's de Young presents Birth of Impressionism: Masterpieces from the Musée d’Orsay, May 22 - Sep 6, 2010 |
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Art lovers, make your plans now! You will be visiting the de Young Museum this summer and again this fall! While a 14-month-long restoration at Paris' Musée d’Orsay progresses, the famed museum's collection of impressionist and post-impressionist paintings will be visiting the world, including two major exhibitions at San Francisco's de Young Museum. Exhibitions will also be presented Tokyo, Madrid, Nashville, and Canberra, Australia. |
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And while the de Young hosts the Musée d’Orsay paintings, San Francisco's Legion of Honor is offering a concurrent opportunity; Impressionist Paris: City of Light June 5, 2010 — September 26, 2010. Each ticket for the de Young exhibit includes a same-day admission for "Impressionist Paris: City of Light," at the Legion of Honor which features 150 prints, drawings, photographs, paintings, and illustrated books from the Fine Arts Museums of San Francisco and several private collections. |
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Claude Monet:Saint Lazare Station |
Masterpieces from the Musée d’Orsay
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Edgar Degas: Portraits at the Stock Exchange |
Adolphe Bouguereau: The Birth of Venus |
Berthe Morisot: The Cradle |
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James Whistler: Arrangement in Grey and Black: The Artist's Mother |
The Musée d’Orsay is located on the left bank of the Seine, and was the former railway station, the Gare d'Orsay. The structure was opened in time for the 1900 Exposition Universelle and served as the terminus for the railways of southwestern France until events of World War II caused the station to cease operations in 1939. It's original design in earlier times was becoming obsolete as its platforms weren't long enough to accomodate the length of more modern trains. During the war, the depot was used for a postal facility, and afterward as a center to assist returning |
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Edgar Degas: The Dance Lesson |
Edouard Manet: The Fife Player |
Claude Monet: The Rue Montorgueil Paris June 30 1878 |
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Frederick Bazille: Family Reunion | prisoners of war. Since WW II, it was used as a realistic location for films, including Kafka's The Trial adapted by Orson Welles. In 1973, the facility was closed. In 1977 the French Government decided to convert the station to a museum. The building underwent massive conversion from 1980 to 1986, creating 20,000 square meters of new floorspace on four floors. The new museum was opened by President François Mitterrand on December 1, 1986. The Musée d’Orsay will remain open while it restores its upper-floor galleries and east pavilion. When complete, the museum will have added 20,000 square feet of exhibition space along with more modern security measures. It has since become a major attraction in the art world. Among its massive collection are 32 paintings by Jean-Baptiste Camille Corot, 86 by Claude Monet, 81 by Pierre-Auguste Renoir , 43 by Edgar Degas, 56 by Paul Cézanne and includes multiple paintings by a long list of other world class painters. |
Pierre Auguste Renoir: The Swing |
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Edgar Degas: Racehorses Before the Stands |
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To help pay for the current renovations, some of the museum's collection has been pressed into service, given the double task as serving as ambassador for the museum and for France, and to send home some welcomed funds to help pay the restoration's expenses. San Francisco is quite fortunate to host these back to back exhibitions, allowing art lovers here to have a taste of the artistic treasures. The NY Times reports that when John E. Buchannan, director of the Fine Arts Museums |
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of San Francisco, learned of the Musée d’Orsay’s planned restorations, he "leapt at the opportunity to bring these paintings to San Francisco." The de Young is the only museum to host both the impressionist and post-impressionists exhibitions. Although not quite as exciting as a future trip to Paris to see these paintings in the newly renovated Musée d’Orsay, the opportunity to view them in Golden Gate Park at our own de Young is not to be missed. |
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de Young Museum | Legion of Honor | Musée d’Orsay | NY Times Article | Back to the Top |
Bodega Bay Heritage Gallery exhibition beginning April 17, 2010 | |||||
"Generations" celebrating the art of two generations of Dzigurskis and Hiltons
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John W. Hilton and his daughter Kathi Hilton |
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The paintings of Alexander Dzigurski and John W. Hilton have received glowing admiration from art lovers for decades. Both artists have compelling and unique biographies and easily identifiable and fascinating styles. But beyond their art, each has been blessed with a child who carried on his artistic legacy. Alexander's son Alexander II, and John's daughter Kathi have each distinguished themselves as well known artists, following the paths of their respective fathers. As a young Slovenian artist striving hard to establish himself Alexander Dzigurski's efforts were diverted by World War II. Like others his age, he joined the Slovenian military. After Slovenia was rolled over by the Nazi War machine, Alexander and his wife and daughter were scheduled for transfer to a prison camp. The young family managed to escape to Vienna where they hid among the Slovenian expatriot community, and Alexander hid in the open as a house painter. They remained in Vienna through the end of the war, when they made their way to Italy, and then on to the U.S. After arriving in America, Alexander painted icons in orthodox churches in Pennsylvania, Ohio, and Wisconsin. In time, he made a trip west and thrilled at the sight of the Rockies, the Sierra, and the Pacific Coast. He used his European training and his newly discovered love of American freedom by interpreting the grandeur of the American landscape in his art. He said his paintings of the American landscape was his way of celebrating American freedom. John W. Hilton had a fascinating life. He was born in China, the son of American missionaries, and had made the voyage across the Pacific several times while growing up. As a young man, he apprenticed as a jeweler in Hollywood, and among his clients were film stars from the silent film industry. At first, he began his treks into the desert, seeking gems in the hills east of San Diego. In time, he established a gem shop east of Palm Springs near Indio, CA, and while there, he began painting, selling his first efforts at painting in his gem shop. His small shop attracted other desert artists who began giving John some painting tutilage, and many became his life long friends. Among his early visitors and teachers were Maynard Dixon, Jimmy Swinnerton, Clyde Forsythe, and Fred Chisnall. Over the years, he added a long list of notable artists and othe famous persons among his circle of friends and painting partners; including Nicolai Fechin, Orpha Klinker, Bill Bender, Sam Hyde Harris, Conrad Buff, Robert Rishell, Ralph Love, Paul Lauritz, President Dwight D. Eisenhower, and legendary actor, James Cagney. Apart from painting, Hilton assisted General George S. Patton as discussed above. During the war, he operated a calcite mine on the eastern shores of the Salton Sea providing an optical grade of calcite used for an optical sight for American bombers to be able to shoot down enemy fighters. As a keen student of the desert, he found time to collect animal and plant specimens for universities, some of which bear his name. He wrote several books and numerous magazine articles of desert life and history. He was a student of native Americans, and counted many among his closest friends. Howard Hughes once flew out to his gem shop to visit his friend John, landing his plane in front on the highway and bringing lobster for his daughter Kathi's birthday. At Bodega Bay Heritage Gallery, we are pleased to offer historic paintings of Alexander Dzigurski and John W. Hilton, and we are privileged and thrilled to represent the works of Alexander Dzigurski II and and Kathi Hilton. Alex maintains his studio in Mountain View, CA, and Kathi resides and paints in Roosevelt, Utah. Back to the Top |
Special Museum Exhibition... Shreveport, Louisiana's Norton Art Gallery and Museum presents Alex Dzigurski: Poet of the Land and Sea April 27 - August 01, 2010 |
Milford Zornes Exhibition Not to be missed ... at the Wilding Museum, Los Olivos, CA near Solvang |
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Milford Zornes: An American Artist runs March 28 through June 6, 2010. The exhibit was opened by a lecture by Gordon McClelland. Milford Zornes is quite significant as a watercolor artist and teacher. He passed away a couple of years ago at the age of 100. He is one of the founding members of the California Style of watercolor painting, a style which employed large sheets of rag paper, expansive and expressive brushstrokes, bold colors, and even using the color of the paper as a color value in the painting. He began his painting career in the midst of the Great Depression. Watercolorists had some advantage over oil painters in that they could transport their materials outdoors more easily. But the quick drying nature of watercolor demanded precision and planning, and there was no room for error. But Zornes mastered the form, and has left behind a dazzling array of interpretations of the American landscape. Images above include ©Milford Zornes, Mt. San Jacinto, 1959, Mason Molki Collection and ©Milford Zornes, Morning, High Desert, 1990, McClelland Collection |
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The Wilding Museum | Milford Zornes page on our site | Back to the Top |
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What's showing at Bodega Bay Galleries & Beyond? click on their links and discover the wonder to be found in the galleries of West Sonoma County |
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While in Bodega Bay ... | ||
IN BODEGA BAY Bodega Bay Heritage Gallery |
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IN BODEGA BAY SMITH & KIRK FINE ART & CUSTOM FRAMING GALLERY Featured artist Jean Warren / Reception Saturday, May 1st 1-4 PM "Watercolors by Design". May 1st to June 20th. Also offering works of the late Gail Packer. Conveniently located next to The Ren Brown Collection 1785 A Highway One, PO Box 1116, Bodega Bay, CA 94923 http://www.SmithAndKirk.com | 707-875-2976 |
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IN BODEGA BAY Local Color Artist Gallery April 3rd ~ May 16th |
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IN BODEGA BAY The Ren Brown Collection Spring 2010 Exhibit: Mayumi Oda - Feminine Buddha , Original paintings, silkscreens and etchings from the past 40 years will be included in this special show celebrating the Twentieth Anniversary of the Gallery in Bodega Bay. In collaboration with the San Francisco Zen Center and Green Gulch Farm. March 11 - April 18. 2010 http://www.renbrown.com | Back to the Top |
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Liya and Andrew |
And while visiting galleries in Bodega Bay, dine at The Terrapin Creek Cafe "just above Bodega Bay Heritage Gallery" Here's what Santa Rosa's Press Democrat had to say ... "... Against all odds, this little storefront restaurant, in the space that was once the Seaweed Café, perched on a hillside above the Bodega harbor marina, has pulled off a culinary coup. In a Wine Country stuffed with world-renowned restaurants, it is, in a quiet and unassuming way, among the best." |
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And nearby, in Sonoma, Napa & Marin Counties | ||
IN DUNCANS MILLS Christopher Queen Galleries |
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IN DUNCANS MILLS Quercia Gallery |
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IN Santa Rosa The Annex Galleries specializing in 19th, 20th, and 21st century American and European fine prints The Annex Galleries is a member of the International Fine Print Dealers Association (IFPDA). http://www.AnnexGalleries.com | Back to the Top |
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IN CALISTOGA the Lee Youngman Gallery |
Paul Youngman "Mustard" |
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IN TOMALES Tomales Fine Art |
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IN FORESTVILLE The Quicksilver Mine Co. |
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IN GRATON Graton Gallery 9048 Graton Road, Graton, California (707) 829-8912 "It's for the Birds" April 13 – May 23 Four talented artists delight the viewer with their unique expressions of a favorite theme. Sally Baker: Brilliant sharp-focus watercolor paintings with a touch of whimsy, Lynda Nugent: Multi media paintings inspired by nature. Nancy Lorenz: Fine detailed needle-felted wool sculptures, & Carla Marie Bratt: Exquisitely crafted fine art gourds "Up on the Farm" :: May 25 - July 4 Paintings, drawings, and block prints by Pam Lewis, Rik Olson and Hester Zoutendijk Reception: Sunday May 30, 3-6pm http://www.gratongallery.com/ Back to the Top |
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IN BODEGA Bodega Landmark Gallery Collection "The Coast, the Hills and the Vines" A group exhibition celebrating the beauty of the Northcoast 17255 Bodega Highway Bodega, California USA 94922 Phone 707 876 3477 http://www.artbodega.com | Lorenzo@ArtBodega.com | Back to the Top |
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IN VALLEY FORD West County Design |
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IN PETALUMA Calabi Gallery |
Sun and Moon Warren Bellows |
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IN PETALUMA Vintage Bank Antiques Vintage Bank Antiques is located in Historic Downtown Petaluma, corner of Western Avenue and Petaluma Blvd. It is listed on the National Register of Historic Places. Warren Davis and the rest of the team at Vintage Bank Antiques has assembled a spectacular inventory of paintings. From the 18th Century to Contemporary Artists. We have paintings to suit every price point and collector level. If you have a painting for sale, please consider Vintage Bank Antiques. Contact Warren Davis directly at WarrenDavisPaintings@yahoo.com 101 Petaluma Blvd. North, Petaluma, CA 94952, ph: 707.769.3097 http://vintagebankantiques.com | Back to the Top |
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IN PETALUMA Petaluma Arts Council "... to celebrate local artists and their contributions and involve the whole community in appreciation, involvement and recognition of art March 5 - April 25, 2010: Fine Art Photography: Beyond Digital Portrait as Metaphor: Photographs by Morrie Camhi http://www.petalumaartscouncil.org | Back to the Top |
Petaluma Art Center Photo:Anita Diamondstein |
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And, while on the Big Island, visit these friends of our gallery ... | ||
In Waimea, Big Island, Hawaii Isaacs Art Center Well worth the effort ... while on the Big Island, visit its best Museum and Gallery, with some impressive and historic Hawaiian art. http://isaacsartcenter.hpa.edu | Back to the Top |
Kilauea by Moonlight Jules Taverier c 1890 |
Links to current museum exhibits relevant to Early California Art The Greater Bay Area, Southern California, & Beyond |
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The Greater Bay Area | |||
NEW! in San Francisco's Presidio The Walt Disney Family Museum tickets available online April 7 - June 2010 Walt Disney's Peter Pan An exhibition in our Theater Lobby Walt's early interest in Peter Pan finally became a feature-length animated film in 1953, and its look was greatly influenced by artist Mary Blair. |
San Francisco |
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San Francisco California Historical Society |
San Francisco |
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San Francisco Contemporary Jewish Museum “Our Struggle”: Responding to Mein Kampf February 11, 2010 - June 8, 2010 |
Oakland |
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Santa Rosa Sonoma County Museum Fiber Art by Adela Akers Jan 30 - May 30 Paintings by Martha Shaw Jan 30 - May 30 |
Moraga Hearst Art Gallery Andy Warhol's Quick Pix and Pop Icons April 11 - June 20 |
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Santa Rosa Charles M. Schultz Museum The Language of Lines: Imaginary Places in the Comics April 24 to August 22, 2010 |
Sonoma Sonoma Valley Museum of Art 551 Broadway, Sonoma CA 95476 (707) 939-7862 Silence, Exile, and Cunning May 1 - July 25 |
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Sonoma Mission San Francisco de Solano Museum featuring the famed watercolor paintings of the California Missions by Christian Jorgensen |
Ukiah Grace Hudson Museum Special Exhibit Space, Silence, Spirit: Maynard Dixon's West February 28 through June 20, 2010 http://www.gracehudsonmuseum.org |
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Sacramento |
Sacramento |
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Monterey Monterey Museum of Art Land & Sea, Paintings and Photographs of Monterey and Beyond January 30-October 24, 2010 MMA Pacific Street |
San Jose San Jose Museum of Art Wayne Thiebaud: Seventy Years of Painting February 16, 2010 through July 4, 2010 |
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Southern California (and Arizona) | |||
Los Angeles Los Angeles Museum of Art -Renoir in the 20th Century February 14, 2010–May 9, 2010 -American Stories: Paintings of Everyday Life, 1765–1915 February 28, 2010–May 23, 2010 -Land & Sea: Paintings and Photographs of Monterey and Beyond. Through October 24 Featuring paintings, photographs, watercolors and etchings, Land & Sea will offer visitors a unique look at how Monterey’s natural and urban landscape has influenced the many artists who lived and worked in Monterey and abroad. |
Irvine The Irvine Museum El Camino de Oro Journey Through Early California Feb 24 - Jun 5, 2010 |
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Santa Barbara |
Palm Springs |
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San Diego San Diego Museum of Art Joaquín Torres-García: Constructing Abstraction with Wood February 20 - May 30, 2010 |
Santa Monica |
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Pasadena Norton Simon Museum Divine Demons: Wrathful Deities of Buddhist Art August 14, 2009 - June 28, 2010 Permanent collection,European paintings |
Pasadena The Huntington Library American Art Collection Paintings by John Singer Sargent, Edward Hopper, Robert Henri, Albert Bierstadt, Thomas Moran, William Keith, Mary Cassatt, Thomas Hart Benton and many more. |
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Pasadena Museum of California Art Millard Sheets: The Early Years February 14, 2010 – May 30, 2010 |
Los Olivos Wilding Museum Milford Zornes Exhibition March 31 through June 6 |
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Prescott, AZ |
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& Beyond | |||
Seattle, WA Seattle Art Museum Everything Under the Sun: Photographs by Imogen Cunningham July 11, 2009–August 29, 2010 |
Portland, OR Portland Art Museum Permanent Collection |
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Washington D.C. The Renwick Gallery Christo and Jeanne-Claude: Remembering the Running Fence, Sonoma and Marin Counties, California, 1972-76, A Documentation Exhibition April 2, 2010 – September 26, 2010 Grand Salon Installation—Paintings from the Smithsonian American Art Museum |
Chicago, IL Art Institute of Chicago Matisse: Radical Invention 1913-1917 through June 20 "The San Francisco Chronicle calls the exhibit "thrilling" and Time magazine deems it "spectacular." |
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Washington D.C. The National Gallery Permanent collection American Paintings |
Atlanta, GA High Museum of Art The American collection ... paintings by William Merritt Chase, Henry Ossawa Tanner, John Twachtman and Childe Hassam. It includes landscapes by Hudson River School artists, figure paintings by Henry Inman and John Singer Sargent, and still-life paintings by John Frederick Peto, William Michael Harnett and William Mason Brown. |
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Cedar Rapids, IA The Cedar Rapids Museum of Art Grant Wood: In Focus is an ongoing permanent collection exhibition. |
Roanoke, VA The Taubman Museum 19th & 20th Century Paintings John Singer Sargent, Thomas Eakins, Winslow Homer, Robert Henri, Childe Hassam & others. Permanent Exhibit |