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March 2011 Bodega Bay Heritage Gallery Monthly A Celebration of Early California, Western, and American Art ... Open Wednesdays through Sundays 10:00 - 5:00 (other times, please call for an appointment) 1785 Coast Highway 1, PO Box 325, Bodega Bay, CA 94923, 707-875-2911 (Map) email: Art@BodegaBayHeritageGallery.com | www.BodegaBayHeritageGallery.com |
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![]() Visit us in our new home, 1785 Highway One, Bodega Bay |
News from our gallery |
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Museum Exhibits:
Bay Area, Southland & Beyond |
Google Art Project -Visit some of the world's great museums on-line |
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Google has created a website which utilizes its high tech wizardry to capture photographs and virtual tours of some of the world's most notable art, a glimpse inside some of the most famous museums. It is called "the Google Art Project" (http://www.googleartproject.com), and is worth your time to investigate. Google has sent teams of photographers and technicians to photograph these treasures, and have made these museums accessible to millions who would otherwise never have the opportunity to view them in person. This online experience provides floor plans of the museum, and with your cursor, you can move through a museum's corridors and galleries as if |
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in a dream. Some of the images were gathered by a high tech cart wheeled through the museums by technicians, at times attached to a specialized bicycle, gathering up culture like a Zamboni clearing skate tracks from the ice at a hockey game. The video below shows this process in action. |
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Paintings and photographs are not the same thing. Seeing paintings in person is a far better experience. Eyes are marvelous things. When you stand in front of a painting, you see the artist's work with two eyes, not just the one lens of a camera. Your eyes can move, adjust, move in close or from the other side of the room. Eyes discern the three dimensionality of impasto and can adjust. They see the color unaffected by any photographic processes. And, when you stand in front of a painting, you are standing in the very same relative space to that canvas as did the artist long ago. You commune, in a sense, with the artist's vision, daring, intention, and inspiration with the very same canvas in front of you, uninterrupted by cameras and photo processing. |
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To bear this out, here is an example. This past summer while visiting the Post Impressionists of the Musee d' Orsay exhibition, patrons would backtrack through the exhibit to view once again Van Gogh's Starry Night. They would comment that the experience of seeing the painting in person was unlike any photos of the painting they had ever seen. The paint colors and texture were rich and deep, compared to which a photograph seems washed out, flat, and with myriad stray reflections that do not register in person. |
![]() Vincent Van Gogh Starry Night Over the Rhone, Musée d'Orsay, Paris |
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Cameras are marvelous, they take our eyes where they otherwise could not go. Professional and artistic photographers can use cameras to compose images and guide their viewers' eyes through their camera lenses and photographic processes to view dazzling images which we otherwise would not see. Cameras also allow us to see things far away through both time and space, things far beyond the scope of our eyes. As a child flipping through piles of old National Geographic Magazines, we learned of worlds and people far away, our imaginations filled with wonder. The photos within those magazines were shot by some of the world's best photographers, artists who could tell a story with a camera, who could compose and create images which touched the hearts, minds and souls of people far away. They allow viewers to study images from our past, instants of time which made a difference, such as Joe Rosenthal's famed photo of Six Marines Raising the Flag on Iwa Jima or Alfred Eisenstaedt's V-J Day in Times Square at the end of World War II. Photography is a marvelous art form. |
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But paintings are marvelous as well. They are made up of artistic elements of composition, texture, nuances of light and shadow, and dazzling effects of color, all created with the vision, inspiration, talent and skill of artists courageous enough to do battle with an empty canvas. Paintings make physical statements and can be beautiful, evocative, set a mood, inform, inspire, or express the wide range of human emotion, both conscious and subconscious. If time and money were not a problem, we would certainly advise seeing the paintings in these museums in person. But not even the most wealthy and leisurely among could manage to see it all. So, Google's service provides us an opportunity to get a taste, a peek, and a glimpse of what lies beyond the scope of our eyes. Now with Google we can visit these museums and through their lenses, see this marvelous art. |
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![]() Margret and Hans Augusto Rey United States, late 1940s. H. A. & Margret Rey Papers, de Grummond Children’s Literature Collection, McCain Library and Archives, The University of Southern Mississippi |
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Leave your worries on your doorstep, grab your coat and your yellow hat, and head for the Contemporary Jewish Museum in San Francisco. They are hosting Curious George Saves the Day: The Art of Margret and H. A. Rey. Only the most literary among us would recognize the names of Margret and Hans Augusto Rey, but all of us can easily recall the characters of Curious George and the Man with the Yellow Hat. Beginning in the 1940's onward, children have enjoyed the curious spirit of George. Perhaps the underlying reason for the success of these characters and their adventures is that they gave children permission to pursue their natural curiosities and interests without fear, always trusting in the ever present and protective presence of the man in the yellow hat. |
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![]() The Reys at a book signing |
The series was first published in New York in 1941 with the first title being just Curious George. After the war, this first book was followed by Curious George Takes a Job (1947), Curious George Rides a Bike (1952), Curious George Gets a Medal (1957), Curious George Flies a Kite (1958), Curious George Learns the Alphabet (1963) and Curious George Goes to the Hospital (1966).
Part of what made the series interesting is that "the Man," or fully "the Man with the Yellow Hat," is never mentioned by name. It was "the man" who brought George from Africa to live with him in his house. As Curious George's adventures turn into misadventures, more often than not, it is the Man with the Yellow Hat who appears just in time to Save George. Being saved at the last minute was not just the Rey's theme for their children's book series. It was something they lived through. They resided in Paris from 1936 |
![]() H. A. Rey, black color separation for “At breakfast George’s friend said,” Curious George Rides a Bike (1952), watercolor and charcoal on paper. |
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![]() H. A. Rey, final illustration for “George climbed up until he was in the sunshine again, high above the rain cloud,” Raffy and the 9 Monkeys (1939), later published as Cecily G. and the 9 Monkeys (1942), Paris, 1939, watercolor on paper. |
to 1940. Just hours before the Nazis marched into the city in June 1940, the Reys fled on bicycles carrying drawings for their children’s stories including one about a mischievous monkey, then named Fifi. Not only did the Reys save their animal characters, but they were saved by their illustrations when authorities found them in their belongings. This, in part, may explain why saving the day after a narrow escape became the premise of most of their Curious George stories. |
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After their fateful escape from Paris and a four-month journey across France, Spain, Portugal, and Brazil, the couple settled in New York in the fall of 1940. In all, the Reys authored and illustrated over 30 books, most of them for children, with seven of them starring Curious George. Seventy years after the arrival of Curious George in America, the monkey’s antics have been translated into over a dozen languages, including Hebrew and Yiddish, to the delight of readers, young and old, around the world. When we were kids, we weren't aware that Curious George was a bit of an international phenomenon. George was known as "Curioso come George" in Italy, "Peter Pedal" in Denmark, "Nysgjerrige Nils" in Norway, "Nicke Nyfiken" in Sweden, "Utelias Vili" in Finland, "Hitomane Kozaru" in Japan, "Choni Ha'Sakran" in Israel and "Jorge el Curioso" in Spanish speaking countries. For fans of the Oscar nominated film, The King's Speech, note that George was originally called "Zozo" in the UK to avoid having a monkey with the same name as the King George VI. |
![]() H. A. Rey, final illustration for “This is George. He lived in Africa,” published in The Original Curious George (1998), France, 1939–40, watercolor, charcoal, and color pencil on paper. |
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The exhibition will be on view at the Contemporary Jewish Museum from November 14, 2010- March 13, 2011, and it is meant for kids of all ages. Throughout the duration of the show the Museum will present a variety of programs for adults and families. Check their website for more information. |
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Museums, like paintings, don't have to be large to be beautiful. Here is a tasteful gem awaiting your discovery. Nestled on the 600 block of Mission Street, within steps of its much larger museum neighbors, SFMOMA and the Contemporary Jewish Museum, the California Historical Society provides a look at California in the context of all its historical glory, from before the Gold Rush, through the '06 Quake, and onto its role as a dominant cultural and economic player on the world's stage. Most prominent in their exhibit are paintings by some of California's best artists of the early days of the late 19th and early 20th century, compositions which preserve for us scenes of a California no longer around. |
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From early rural scenes of San Francisco, through its early urbanization, the calamitous events of the 1906 earthquake and the city's rebirth afterward, the exhibit tells California's story. From throughout the state, images of California's diverse and dynamic landscapes, from the coasts, its great valley, and the Sierra, you see visions of the state as it was seen in those early days. The selection of paintings exhibited at the California Historical Society exemplifies the quality and variety making California painting so compelling and historically important. We regret that we are are unable to give you much of a taste of this wonderful exhibit because photography in the museum is prohibited, but following are descriptions of the paintings on view, with examples of other works done by the particular artists from the Oakland Museum, the Crocker Museum, and Bodega Bay Heritage Gallery's collection. |
![]() Charles Graham 1852 - 1911 , etching of The Cliff House and Sutro Park, published in Harper's Weekly, April 1887 (this etching is on exhibit at the San Francisco Historical Society) |
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![]() Charles Rollo Peters (American, 1862-1928) San Fernando Mission, Crocker Art Museum (on exhibit is Charles Rollo Peters 1862-1928 Carmel Mission (before restoration) |
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![]() Heritage Gallery Collection, on exhibit is Carl Dahlgren 1841 - 1920, Larsen's Chicken Farm, 19th Ave, San Francisco |
![]() Raymond Dabb Yelland, Sunrise at Tracy, Oakland Museum (on exhibit is Raymond Dabb Yelland 1848 - 1900, Ferry Boat on San Francisco Bay) |
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Also on Exhibit at the San Francisco Historical Society ... Norton Bush 1834-1894 Mount Tam from Sausilito Norton Bush 1834-1894 Angel Island from Sausilito William Keith 1838-1911 Carmel by the Sea |
![]() William Hahn, Return from the Bear Hunt, Oakland Museum (on exhibit is William Hahn 1829 - 1887 Trip to Glacier Point, 1874 |
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In Memoriam: A dear friend of our gallery, Philip Meador 1939-2011 |
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![]() Hildur and Philip Meador visiting Bodega Bay Heritage Gallery in 2009, standing by Joshua Meador's painting, Almond Alley |
A great friend of our gallery has died, and we truly miss him. With sadness, our hearts go out to his wife Hildur, son Joshua Philip, daughter Talitha, and grandson, Jayson. In recent months and weeks Phil had been working closely with us as we in prepared for our gallery's celebration of his father's 100th birthday exhibition. In numerous phone calls and a December visit to their home, Phil was enthusiastic, full of humor and most supportive. His twinkling eye brought a sparkle of magic to our endeavors, and we always looked forward to our day's work when it included a moment or two with Phil. We cannot match the obituary written by Rufus Ward, set forth in full as a section of this article, but we can relate how we got to know him. We first met Phil and his wife Hildur while researching the career of his father, artist Joshua Meador. We were thrilled to find out Joshua had a son living in Southern California. We made contact, and in a few short weeks, we hosted Phil, his wife Hildur and Phil's mother Libby in our home. The Meador family saw our collection of Meador paintings and the rest of our collection, and a years-long friendship was born, including a number of projects to promote the art of Joshua Meador. |
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A little over a year ago, we enjoyed hosting Phil and Hildur on their recent trip to San Francisco to participate in the Grand Opening of the Walt Disney Family Museum in the Presidio. It was at this time that Phil very patiently explained Disney's Multi Plane Camera to me, and the painstakingly patient process it took to produce animation in the early years. He was truly pleased with the depth and scope of the Walt Disney Family Museum as it told the story of the early days of animation, and he marveled at what Diane Disney Miller and her husband Ron Miller had accomplished. We also enjoyed Phil's excitement surrounding the recent honor bestowed on Joshua Meador by his hometown of Columbus, Mississippi. In October of 2009, Joshua was named to be one of Columbus, Mississippi's favorite sons, a rarified honor shared with playwright Tennessee Williams and sports broadcaster, Red Barber. Phil and Hildur attended the festivities along with their son Joshua Philip Meador and grandson Jayson Michael West. |
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Through Phil we got to know his mother and Joshua Meador's widow, Libby Meador. We knew her for only two years prior to her passing in November of 2008. It was a rich time for listening to stories of the old days, when the Meadors, Josh, Libby and Phil would pile into their station wagon and tear drop trailer and head off on painting excursions. Libby would recall a story and Phil would add to it, and conversely, Libby would add to memories Phil would share. It was most entertaining and informative to listen to the pair recollect the old days. In one such conversation, Libby told us emphatically with Phil's nodding agreement that "Josh loved working for |
Articles about Phil previously in our newsletter | |||
Nov '09 ![]() "Joshua Meador Day" in Columbus, MS, Family attends honors |
Oct '09 ![]() Hildur and Philip Meador Visit Bodega Bay Heritage Gallery |
Sep '09 ![]() A Busy Time for an Artist's Son, Philip Meador |
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Disney Studios," but Phil and Libby both went on to emphasize that "Josh worked to live, but he lived to paint." Libby lived a long full life before passing at age 94, and it is easy to see where Phil received much of his enthusiastic nature and sense of humor. Libby's passing was a loss for Phil and all the Meadors, but their deep love for Libby and their gratefulness for Libby's life went forward. In a humorous self deprecating manner, Phil would humbly point out that unlike his father, he had no artistic talents and couldn't draw to save his soul. But Phil had a long career in movie making in his own right. He worked for Disney Studios as a special effects photographer, supervisor, and optical supervisor. He loved working in the film industry and was a film fan. |
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a column from Columbus, Mississippi The Dispatch Ask Rufus: Columbus has lost a friend http://www.cdispatch.com/lifestyles/article.asp?aid=10158 by Rufus Ward, February 19, 2011 |
![]() Oct. 2009 ... Great grandson Jayson, son Phil, & grandson Joshua Philip Meador along with Columbus Mississippi friend, Rufus Ward, retired attorney, historian for the Billips-Garth Archives, a Disney fan & Joshua Meador enthusiast. Joshua Philip Meador is holding the governor's declaration celebrating Joshua Meador Day in the state of Mississippi. |
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Recently Columbus lost a very good friend. After a long fight with health problems, Philip Meador passed away in California. Phil was the son of Oscar winning Disney animator Josh Meador. Josh called Columbus home, and Phil recalled many enjoyable childhood trips to Columbus. Josh died in 1965. |
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I first met Phil while working on Columbus' Josh Meador celebration in 2009. He was a fascinating, kind-hearted person who was always ready for a good laugh. He seemed to really take to Columbus and he gave the Columbus-Lowndes Public Library four drawings of Columbus houses that his father had done. He also gave the library a paint box/easel with paints and brushes that Josh had used in the Disney television program Four Artists Paint One Tree. In addition Phil loaned the library almost a hundred drawings and paintings by his father for an exhibit. |
![]() A drawing of Temple Heights by Josh Meador that was given to the Columbus-Lowndes Public Library by Phil Meador |
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During the celebration Phil presented a program at Mississippi University for Women where he told of growing up around the Disney Studio and his father's experiences during the Golden Age of Disney animation. Stories such as the time his father had his mother sit on the floor so that he could draw her blowing soap bubbles. That scene became Cinderella scrubbing the floor and being surrounded by soap bubbles containing her reflection. |
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Although Phil did not talk much about it, he had a very distinguished career of his own. He followed his father into the field of visual and special effects and worked for many years at Disney. A couple of years ago when the new Walt Disney museum was being established in San Francisco, the Disney family called on Phil to help set up an old Disney Studio multi-plane animation camera that would be on display. Phil's movie credits are most impressive. During his career he was listed in the credits of 17 major films. They included: visual effects producer for "The Pagemaster," special photographic effects supervisor for "Splash," optical supervisor for "Millennium," photographic effects supervisor for "My Science Project," supervisor Disney Efx for "Return to Oz," special photographic effects for "Something Wicked This Way Comes," special photographic effects for "The Black Cauldron," and optical printer operator for "The Black Hole." Though not raised in Columbus, Phil enjoyed his visits here and his generosity will long be appreciated. He will be missed. Rufus Ward is a Columbus native a local historian. E-mail your questions about local history to Rufus at rufushistory@aol.com. |
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Gallery Notes
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What's showing in Bodega Bay? | ||||||||
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Bodega Bay Heritage Gallery |
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Celebrating Early California, Western and American Art | ||||||||
the Small World Custom Framing of Gary Smith |
the oil paintings of Linda Sorensen |
the etchings of Gail Packer |
the Palette Knife paintings of Joshua Meador | the desert paintings of Kathi Hilton |
the Watercolors of Jean Warren |
The oil paintings of Alex Dzigurski II |
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The Ren Brown Collection |
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Local Color Artist Gallery photographer Jerry Dodrill & painter Lolly Petroni Images beginning Feb 15th - Reception is Sat Feb 19, 1-4 PM Gallery Hours, daily 10 AM to 5 PM 1580 Eastshore Dr., Bodega Bay 707-875-2744 | http://www.localcolorgallery.com | Back to the Top |
![]() Ron Sumner |
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What's showing nearby? in Sonoma, Napa & Marin Counties |
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IN DUNCANS MILLS Christopher Queen Galleries |
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IN DUNCANS MILLS Quercia Gallery |
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IN Santa Rosa The Annex Galleries specializing in 19th, 20th, and 21st century American and European fine prints The Annex Galleries is a member of the International Fine Print Dealers Association (IFPDA). http://www.AnnexGalleries.com | Back to the Top |
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![]() Lee Youngman |
IN CALISTOGA the Lee Youngman Gallery |
![]() Paul Youngman |
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IN TOMALES Tomales Fine Art |
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IN FORESTVILLE The Quicksilver Mine Co. |
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IN GRATON Graton Gallery "High Desert Outback" Paintings by Pam Lewis Landscapes and wildlife of southeast Oregon, northeast California and northwest Nevada. Guest Artists, Sonoma County Painters: Jeani Martini, Tamra Sanchez & Henry White Artist’s Reception Sunday March 13, 2-5pm 9048 Graton Road, Graton, California (707) 829-8912 http://www.gratongallery.com/ Back to the Top |
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IN BODEGA Bodega Landmark Gallery Collection 17255 Bodega Highway Bodega, California USA 94922 Phone 707 876 3477 http://www.artbodega.com | Lorenzo@ArtBodega.com | Back to the Top |
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IN VALLEY FORD West County Design West County Design provides an unexpected center of artistic sophistication in the charming town of Valley Ford in West Sonoma County. The business serves as a showroom for Bohemian Stoneworks, Current Carpets and Craig Collins Furniture. The gallery also showcases local artisans and quality furnishings for home and business. Bohemian Stoneworks, Current Carpets and Craig Collins Furniture are known for collaborating closely with both business and residential clients and designers from concept to installation. The result is uniquely personal and functional pieces that reflect our clients’ personalities and needs (Across from the Valley Ford Hotel and its famed Rocker Oysterfeller's Restaurant) http://www.westcountydesign.com | Back to the Top |
![]() Silouette of Cypress Kai Samuel-Davis |
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IN PETALUMA Calabi Gallery Sebastopol's own famed master conservator Dennis Calabi brings his rare knowledge and experience to present a tasteful and eclectic array of primarily 20th century artwork. First Anniversary Exhibition Opening! "Our new show, celebrating the completion of our first year in business, showcases the broad diversity of our interests. Antique, modern, and contemporary works in all media and many styles co-exist in our cozy environment." 144 Petaluma Blvd. North, Petaluma, CA 94952 Call 707-781-94952 http://www.calabigallery.com |Back to the Top |
![]() Yellow Eye (Protest) by Robert Pearson McChesney, 1946, Oil on Masonit 32 1/2 x 24 |
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IN PETALUMA Vintage Bank Antiques Vintage Bank Antiques is located in Historic Downtown Petaluma, corner of Western Avenue and Petaluma Blvd. It is listed on the National Register of Historic Places. Warren Davis and the rest of the team at Vintage Bank Antiques has assembled a spectacular inventory of paintings. From the 18th Century to Contemporary Artists. We have paintings to suit every price point and collector level. If you have a painting for sale, please consider Vintage Bank Antiques. Contact Warren Davis directly at WarrenDavisPaintings@yahoo.com 101 Petaluma Blvd. North, Petaluma, CA 94952, ph: 707.769.3097 http://vintagebankantiques.com | Back to the Top |
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IN PETALUMA Petaluma Arts Council "... to celebrate local artists and their contributions and involve the whole community in appreciation, involvement and recognition of art Family Tree: Fine Woodworking in Northern California Jan 21 through March 13 http://www.petalumaartscouncil.org | Back to the Top |
![]() Petaluma Art Center Photo:Anita Diamondstein |
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And, while on the Big Island, visit these friends of our gallery ... | ||||||||
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In Waimea, Big Island, Hawaii Isaacs Art Center Well worth the effort ... while on the Big Island, visit its best Museum and Gallery, with some impressive and historic Hawaiian art. http://isaacsartcenter.hpa.edu | Back to the Top |
![]() Kilauea by Moonlight Jules Taverier c 1890 |
Links to current museum exhibits relevant to Early California Art | |||
The Greater Bay Area | |||
The Walt Disney Family Museum |
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San Francisco de Young Museum |
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San Francisco California Historical Society Think California through July 31, 2011 |
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San Francisco |
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San Francisco Contemporary Jewish Museum Curious George Saves the Day: The Art of Margret and H. A. Rey through March 13 Reclaimed Paintings from the collection of Jacques Gaudstikker through March 29, 2011 |
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Oakland |
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San Francisco SFMOMA Exposed: Voyeurism, Surveillance, and the Camera Since 1870 October 30, 2010 - April 17, 2011 |
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Santa Rosa |
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Santa Rosa Charles M. Schultz Museum The Browns & The Van Pelts: Siblings in Peanuts January 29 through June 19, 2011 Downstairs Changing Gallery |
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Moraga Hearst Art Gallery Lee and Grant January 30 - March 20 ... provides a major reassessment of the lives, careers, and historical impact of Civil War generals Robert E. Lee and Ulysses S. Grant, rediscovering them within the context of their own time —based on their own words and those of their contemporaries, photographs, paintings, prints, coins, reproduction clothing, accoutrements owned and carried by the two men, documents written in their own hands, and biographical and historical records to reveal each man in his historical and cultural context. |
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Sonoma Mission San Francisco de Solano Museum featuring the famed watercolor paintings of the California Missions by Christian Jorgensen |
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Walnut Creek Bedford Gallery, Lesher Ctr for the Arts Nature’s Beloved Son: Rediscovering John Muir’s Botanical Legacy January 9 - March 27, 2011 |
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Ukiah Grace Hudson Museum check their website for their current exhibition http://www.gracehudsonmuseum.org |
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Sonoma Sonoma Valley Museum of Art 551 Broadway, Sonoma CA 95476 (707) 939-7862 ECO CHIC: Towards Sustainable Swedish Fashion with Daniel McCormick: Iterations of Ecological Art and Design February 19 - May 15, 2011 |
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Monterey Monterey Museum of Art The Art of California, 1880 to the Present ... a selection of paintings and works on paper by artists who have been inspired by the grandeur and variety of land and sea on the west coast. January 28 – October 23, 2011 MMA Pacific Street |
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San Jose |
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Sacramento
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Sacramento |
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Southern California (and Arizona) | |||
Los Angeles Los Angeles Museum of Art Art of the Americas, Level 3: Artworks of paintings and sculptures from the colonial period to World War II— a survey of of art and culture. |
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Irvine The Irvine Museum |
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Santa Barbara |
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Palm Springs |
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San Diego San Diego Museum of Art Thomas Gainsborough and the Modern Woman January 29, 2011 Through May 01, 2011 |
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Pasadena Norton Simon Museum Permanent collection,European paintings |
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Pasadena The Huntington Library American Art Collection Paintings by John Singer Sargent, Edward Hopper, Robert Henri, Albert Bierstadt, Thomas Moran, William Keith, Mary Cassatt, Thomas Hart Benton and many more. |
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Pasadena |
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Oceanside |
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Prescott, AZ |
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& Beyond | |||
Seattle, WA Seattle Art Museum Permenant collection: American Art Rineke Dijkstra: Ruth Drawing Picasso, Tate Liverpool November 2, 2010–April 24, 2011 |
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Portland, OR |
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Washington D.C. The Renwick Gallery Grand Salon Installation Paintings from the Smithsonian American Art Museum Grand Salon, Renwick Gallery June 6, 2009 — Permanent |
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Chicago, IL Art Institute of Chicago Permanent collection: the Impressionists Egoyomi: Japanese Picture Calendars January 15–April 3, 2011 Gallery 107 |
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Nashville, TN Frist Center for the Visual Arts William Eggleston Anointing the Overlooked Jan. 21–May 1, 2011 |
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Atlanta, GA High Museum of Art The American collection ... paintings by William Merritt Chase, Henry Ossawa Tanner, John Twachtman and Childe Hassam. It includes landscapes by Hudson River School artists, figure paintings by Henry Inman and John Singer Sargent, and still-life paintings by John Frederick Peto, William Michael Harnett and William Mason Brown. |
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Cedar Rapids, IA The Cedar Rapids Museum of Art Grant Wood: In Focus is an ongoing permanent collection exhibition. |
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Washington D.C. The National Gallery Permanent collection American Paintings |
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Brooklyn, NY |
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New York , NY The Whitney Museum of American Art Modern Life: Edward Hopper and His Time October 28, 2010–April 10, 2011 |
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