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Bodega Bay Heritage Gallery Monthly |
Voicemail and Text: 707-875-2911 | Email: Art@BodegaBayHeritageGallery.com A gallery serving our clients by appointment locally, in your home, or online. Click here for more information |
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New ... Linda Sorensen Death Valley, Raven, Dawn 16 x 20 |
Gifted: Collecting the Art of California at Gardena High School, 1919-1956 |
Gardena High School Grads, 1919-1956 ... Their class gifts to GHS created an incredible art collection |
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Maynard Dixon, 1875 - 1946, Men of the Red Earth, 1931-34, Class of Summer, 1944 Maynard Dixon simplified his compositions to the barest elements. The flat two dimensional striations of color in the distance sets the scene while focusing on two 3-dimensional figures. He emphasizes their stoicism and solemn dignity. Dixon, a San Franciscan and a Bohemian Club Member, had long been a proponent of issues regarding the native people of the American Southwest. |
Paul Lauritz, 1889-1975, The Mountain Brook Class of Summer 1925 Paul Lauritz came to LA in 1925 from his native Norway. He created this large mural sized painting to grace one side of the stage in the GHS auditorium, with the other side reserved for Elmer Wachtel's "The Santa Barbara Coast." Lauritz often was a guest speaker at GHS. |
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Here is a look at the paintings on exhibit at the Hilbert Museum in roughly chronological order from the first paintings given in 1919 through 1956. |
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Carlo Wostry, 1865-1943, Beethhoven, 1905, Class of Summer 1930 LA Times art critic Arthur Millier paid tribute to Carlo Wostry's Beethhoven, describing this young version of the composter "treading his way through a narrow street, his eyes cast down, as in contemplation. On his head was a gray nap-warn top hat. In his hand was a baggy umbrella. Protruding from a pocket of his top coat was the manuscript of what is now, perhaps, one of his noted compositions." |
Clarence Hinkle, 1880-1960 Quiet Pose, c1918, Class of Winter 1929 Clarence Hinkle thought highly of the students' program to gift art to their school. He had just moved to LA from San Francisco, and allowed one of his best figurative paintings to be exhibited and go to the school. |
Emil Kosa Jr., 1903-1968, Every Cloud Has Its Silver Lining, c1942, Class of Summer,1942 Emil Kosa was one of the great California Scene Painters. This painting is meant to be an encouraging statement as the nation transitioned from the pains of the Great Depression and the uncertainty of World War II. Brilliant sunlight bounces off a barn as two farmers lead a horse outside. The painting has a dreamy quality, hovering between art and illustration. Many of the Southern California artists worked for the film industry. Kosa had a 35 year-long career in the movies, winning an Oscar in 1964 for his matte work on Cleopatra. |
James Swinnerton, 1875-1974 The Betatakin Ruins c 1927, Summer Class of 1927 James Swinnerton came to the desert after having been a pioneering cartoonist for the Hearst Newspapers in SF and New York. Diagnosed with TB and given only weeks to live, he moved to Palm Springs in 1903 to restore his health. It worked as he lived to be nearly 100 years old. The Anasazi people lived in Betatakin "House o a Ledge" between 1267 and 1286 a.d. Swinnerton's composition with the golden light penetrating the sanctified vaulted space within creates a scene of order and exceptional harmony. |
Cornelis J. Botke, 1887-1954, Spring Ploughing San Gabriel Valley, c1948, Class of Winter 1948 Raised in an orphanage,Cornelis Botke studied at the School of Applied Art in Haarlem in the Netherlands. When he was eighteen, he moved to Chicago in 1905. There, he met and married an artist, Jessie Arms. In 1919 they moved to Carmel, California and later to a ranch in Santa Paula. The GHS collection also has a painting by Jessie Arms Botke. |
Joe Duncan Gleason, 1881-1959, Head Winds c 1935, Class of Summer 1935 A native of LA, Joe Duncan Gleason worked as an illustrator in New York before returning to California for his artistic career. He worked for the film studios, specializing in movies with clipper ships. Gleason considered "Head Winds" to be his best ship painting. This painting has lots of drama, the struggling crew, the straining sails, the pitching of the ship back and forth, but somehow, we have confidence in the sailors' skills to survive. |
Sam Hyde Harris, 1889-1977, Desert Design c1945, Class of Summer 1945 This painting has an unusual point of view. The bed of the dry creek meanders into the background, drawing the viewer in to the house on the rise behind the eucalyptus trees. This is a scene set in Cathedral City near Palm Springs. |
H. Raymond Henry , 1882-1974, The Storm King c1937, Class of Winter 1937 Using vivid colors in an impressionistic style, H. Raymond Henry shows the desert floor with loosely painted trees blowing in the wind against the background of distant snow capped peaks. Photos of Henry's paintings were often used to promote Southern California as a travel destination, including this painting. |
Francis de Erdly (originally Erdelyi) 1904-1959, Return of the Prodigal c1950, Class of Winter 1950 Francis de Erdely's work was strongly anti-Nazi and anti-war. He arrived in LA in 1944, having fled his native Hungary in 1939. When GHS grads chose to buy this painting, Erdly was a Professor of Art at USC. The painting shows the return of the prodigal son from the Gospel of Luke, compelling in its drama and depth of feeling. |
William Frederick Ritschel, 1864-1949, Making Port c1917, Class of Summer 1933 William Ritchel was born in Nuremberg, Germany, and studied at the Royal Academy in Munich. He came to New York in 1895 and settled in Carmel in 1911 where he built his castle-like stone home and studio overlooking the sea. He was famous internationally and exhibited widely. The action and intensity in this painting are achieved by a cacophony of small dabs of paint and layers of short curved brush strokes. |
Franz Bischoff, 1864-1929, A Cool Fog Drifting, 1924, Class of Winter 1925 In 1908, Franz Bischoff moved to Pasadena and built his home and studio in the Arroyo Seco. A frequent visitor to Carmel, A Cool Fog shows twisted cypress trees above cliffs and a surging sea, presented in an ethereal fog. |
Carl Oscar Borg, 1879-1947, The Grand Canyon, 1927, Class of Winter 1927 In his native Sweden, Carl Borg's family was poor. He was self taught and in his late teens supported himself as a house painter. At 20, he moved to London and assisted portraitist George Johansen. At 22, he moved to San Francisco. He walked the railroad tracks to LA and learned techniques from William Wendt, an established California impressionist. As an artist, he had a patron, Phoebe Apperson Hearst, who funded his archeological work in Egypt and among the Native American Hopi and Navajo tribes. GHS grads were mesmerized by Borg's archeological relics as well as his painting studio. Every Spring, Borg would visit and paint the Grand Canyon and the desert Southwest. |
Armin Hansen, 1886-1957, Before the Wind 1912, Class of Summer 1939 Armin Hansen first studied at the SF Mark Hopkins Institute of Art, followed by studies in Stuttgart, Germany. Before leaving Europe, he based himself in Belgium at the port of Nieuwpoort to study the sea, seamen and boats. This painting was completed in Belgium. He came back to California in 1912, teaching at UC Berkeley. He made his home in Monterey, drawn by its fishing industry. He often painted fishermen battling bold weather off the coast. |
Leon Lundmark, 1875-1942, Symphony of Night 1942, Class of Summer 1941 A Swedish native from a small fishing village, Leon moved to Chicago at the age of 34. There he studied at the Art Institute of Chicago. He is known for seascapes, and once said, "In the sea, all the emotions of man are to be found in addition to incomparable color combinations." His "Symphony of Night" includes brilliant blues, turquoise and purple. When he painted this scene of stormy seas, his native Sweden and Europe were enduring the darkest days of World War II. |
Robert Clunie, 1895-1984, River Dwellers, 1936, Class of Winter 1936 This painting is of the river dwellers on the Saginaw River in Michigan. Done in the midst of the depression, the painting does not show the extreme poverty of the inhabitants. Reflections on the still water give off a positive energy with the fisherman, the dog on the gangway and the distant empty railroad bridge and city of Saginaw in the background . A woman reading a newspaper in the morning sun gives this a scene a dreamy feel. At age 16, Robert Clunie and his brother moved to Saginaw, Michigan. After seven winters in Michigan, Clunie moved to Pasadena. He quickly fell in love with the Sierras. During his career, he was best known for his paintings of the Sierras. He headquartered his studio, gallery and home in the Eastern Sierra town of Bishop. |
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Peter Nielsen, 1873-1965, Sierra Alta c1941, Class of Winter 1941 Peter Nielsen lived in Eagle Rock, just north of LA, but is best known for his landscapes of San Luis Obispo County where he visited regularly. In "Sierra Alta," Cerro Alto is one of San Luis Obispo County's tallest hills. Nielsen was a realist, using a darkened palette, stressing form and crisp detail. He usually did not accentuate sunlight and shadow as most of his impressionist colleagues did. However, in "Sierra Alta," he highlights the ranch house and barn at the base of the mountain with a large area of shadows cast by a grove of eucalyptus trees. |
Edgar Payne, 1883-1947, Rockbound c1921, Class of 1921 Self taught artist Edgar Payne achieved great fame. In 1923, his entry in the Paris Salon won an Honorable Mention. His experience as a scene painter for early Hollywood movies lead to his use of vivid color and light. He was the founding president of the Laguna Beach Art Association, where Rockbound was most likely done. In 1916, he was commissioned to create paintings for the Sante Fe Railroad to be used in their advertising. As part of that commission, he spent four months in Canyon de Chelly in Northeast Arizona where some of his most remarkable paintings were done. He also loved painting at the Grand Canyon. |
Charles L.A. Smith, 1871-1937, Monterey Pines, 1934, Class of Winter 1934 Collecting art has its mishaps! In 1934, the Gardena Valley News reported the Winter Class at GHS had chosen Pyramids of the Desert by Charles L. A. Smith. But while the painting was being transported to the school, it flew out of an open bed truck. Monterey Pines must have been its replacement. The scene is of Pebble Beach between Carmel and Monterey, a narrow road with cypress trees casting dappled shadows. Sand traps and golfers are framed in the background. |
Walter Schofield, 1866-1944, Cornish Inn, 1929, Class of Summer 1936 Walter Schofield was a central figure in the development of American Impressionism. New York's Grand Central Art Galleries exhibited "Cornish Inn" in December of 1929. This inn was located in Ipswich Village, a coastal fishing village in Southwest England. He based most of his career on the East Coast and exhibited internationally. In the 1920's and 1930's, he often visited California, Arizona and New Mexico painting scenes of the American Southwest. In 1936, while exhibiting at the Stendahl Galleries in Los Angeles, he may have attended a banquet and Purchase Prize Exhibit at GHS. The "Gardena Valley News" noted that the gallery owner, Earl Stendahl, was in attendance. |
From 2010, this video shows California Gold's Huell Howser reporting on the Gardena H.S. Art Collection. It includes an interview with Jean Stern of the Irvine Museum. Huell Howser passed away in 2013. |
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The Hilbert Museum | Back to Top |
Museum Exhibitions | ||||||||||||||
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Gallery Notes | ||||||||||||||
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At the Landmark Gallery in Bodega Linda Sorensen's Contours, Ink Grade 24 x 30 |
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At Corrick's in Santa Rosa "Art Trails Gallery" Linda Sorensen's Hawk Hill to Point Bonita 24 x 30 |
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Linda Sorensen |
Linda Sorensen's Studio is now open in Graton. In Graton, visits are by appointment only, except for events such as Atelier One HANDS ON ART and ART TRAILS and Art @ The Source We must make arrangements with you for entry. Call 707-875-2911 or email Linda at lindasorensen@earthlink.net (Note that the gate/doors are generally locked on weekends, and we must let you in) |
Linda Sorensen at her easel |
What's showing in Bodega Bay? | ||
Bodega Bay Heritage Gallery |
"Composed by Ocean" Joshua Meador |
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Ren Brown |
The Ren Brown Collection 1781 Coast Highway One, Bodega Bay, 94923 707-875-2922 | rbc4art@renbrown.com http://www.renbrown.com | Back to the Top |
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Pacific Bay Gallery |
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Bodega Bay's Jean Warren Watercolors |
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What's showing nearby? in Sonoma, Napa & Marin Counties |
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Landmark Gallery's Lorenzo de Santis |
IN BODEGA Bodega Landmark Gallery Collection including paintings by Linda Sorensen 17255 Bodega Highway Bodega, California USA 94922 Phone 707 876 3477 Fri-Mon, 10:30 - 5:30 http://www.artbodega.com | Lorenzo@ArtBodega.com | Back to the Top |
Linda Sorensen & Lorenzo de Santis |
IN SEBASTOPOL, Sebastopol Center for the Arts |
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Corrick's Keven Brown |
IN SANTA ROSA Corrick's Art Trails Gallery | http://www.corricks.com/arttrailsgallery |
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Dennis Calabi |
IN SANTA ROSA Calabi Gallery | http://www.calabigallery.com We are located at 456 Tenth Street in Santa Rosa. Contact us with any questions at (707) 781-7070 or info@calabigallery.com 456 Tenth Street, Santa Rosa, CA 95401 | email: info@calabigallery.com | 707-781-7070 Famed master conservator Dennis Calabi brings his rare knowledge and experience to present a tasteful and eclectic array of primarily 20th century artwork. http://www.calabigallery.com | Back to the Top |
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IN Santa Rosa The Annex Galleries specializing in 19th, 20th, and 21st century American and European fine prints The Annex Galleries is a member of the International Fine Print Dealers Association (IFPDA). http://www.AnnexGalleries.com | Back to the Top |
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IN GRATON Graton Gallery |
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IN DUNCANS MILLS Christopher Queen Galleries 3 miles east of Hwy 1 on Hwy 116 on the Russian River http://www.christopherqueengallery.com |707-865-1318| Back to the Top |
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IN Healdsburg Paul Mahder Gallery http://www.paulmahdergallery.com |
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IN Healdsburg Hammerfriar Gallery http://www.hammerfriar.com |
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Links to current museum exhibits relevant to Early California Art | |||
The Greater Bay Area | |||
The Walt Disney Family Museum This museum tells Walt's story from the early days. (on the Parade Grounds) 104 Montgomery Street, The Presidio of San Francisco, CA 94129 -- view location on Google Maps -- |
San Francisco de Young Museum Permanent Collection |
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San Francisco California Historical Society |
San Francisco Legion of Honor -Permanent European and Impressionist Paintings |
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San Francisco Contemporary Jewish Museum |
Oakland Oakland Museum of California -- ongoing Gallery of California Art -showcasing over 800 works from the OMCA's collection |
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San Francisco |
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Santa Rosa Charles M. Schultz Museum |
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Sonoma Mission San Francisco de Solano Museum featuring the famed watercolor paintings of the California Missions by Christian Jorgensen |
Sonoma Sonoma Valley Museum of Art 551 Broadway, Sonoma CA (707) 939-7862 |
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Ukiah Grace Hudson Museum Artful Liaisons: Connecting Painters Grace Carpenter, Edward Espey, and Grafton Tyler Brown http://www.gracehudsonmuseum.org |
Bolinas |
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Walnut Creek The Bedford Gallery, Lesher Center for the Arts |
San Jose San Jose Museum of Art approximately 2,000 20th & 21st century artworks including paintings, sculpture, new media, photography, drawings, prints, and artist books. |
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Monterey Monterey Museum of Art Ongoing exhibitions ... Museums Permanent Collection including William Ritschel, Armin Hansen and E. Charlton Fortune |
Palo Alto Cantor Art Center at Stanford University |
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Monterey |
Sacramento Crocker Art Museum NEW TWO-YEAR LONG EXHIBIT Nature's Gifts Early California Paintings from the Wendy Willrich Collection Opening April 22, 2018 & their marvelous Permanent Collection |
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Sacramento Capitol Museum Governor's Portrait Gallery Permanent Exhibits (including one of our galllery's favorite artists, Robert Rishell's portrait of Gov. Ronald Reagan |
Stockton's Treasure! The Haggin Museum -Largest exhibition of Albert Beirstadt paintings anywhere, plus the works of Joseph Christian Leyendecker, Norman Rockwell's mentor. see our Newsletter article, April 2011 |
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Southern California (and Arizona) | |||
Los Angeles Los Angeles Museum of Art Art of the Americas, Level 3: Artworks of paintings and sculptures from the colonial period to World War II— a survey of of art and culture & "Levitated Mass" |
Irvine (now part of UC-Irvine) The Irvine Museum El Camino del Oro, Sept 14 - Jan 11 Paintings of the California Missions era by many of California's noted artists |
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Santa Barbara The Santa Barbara Museum of Art |
Orange Hilbert Museum, Chapman University Collecting the Art of California at Gardena, California High School, 1919-1956 Now through - Oct 19, 2019 Bay Area Scene Painting through Apr 27 |
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Pasaden Norton Simon Museum -an Impressive Permanent collection, European impressionist and post impressionist paintings See our newsletter from March 2014 |
San Marino (near Pasadena) The Huntington Library American Art Collection Paintings by John Singer Sargent, Edward Hopper, Robert Henri, Albert Bierstadt, Thomas Moran, William Keith, Mary Cassatt, Thomas Hart Benton and many more. |
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San Diego San Diego Museum of Art Permanent Collection |
Palm Springs |
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Phoenix, AZ Phoenix Art Museum an excellent sampling of Artists of the American West |
Los Angeles California African American Art Museum adjacent to the LA Coliseum Ernie Barnes: A Retrospective through Sept 8 |
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& Beyond | |||
Honolulu, HI Honolulu Museum (see our Newsletter article from February, 2015) |
Kamuela, HI (Big Island) Issacs Art Center 65-1268 Kawaihae Road Kamuela, HI 96743 (See our Dec '16 article "Hawaii's Paul Gauguin," modernist Madge Tennent, 1889-1972) |
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Seattle, WA Seattle Art Museum ( see our article Mar 2018 French and American Paintings ) |
Portland, OR Portland Art Museum Permanent Collection: American Art |
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Washington D.C. The Renwick Gallery Permanent ... Grand Salon Paintings from the Smithsonian American Art Museum |
Chicago, IL Art Institute of Chicago Permanent collection: the Impressionists |
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Cedar Rapids, IA The Cedar Rapids Museum of Art Grant Wood: In Focus is an ongoing permanent collection exhibition. |
Bentonville, AR |
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Washington D.C. The National Gallery Permanent collection American Paintings |
Philadelphia , PA The Philadelphia Museum of Art |
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Philadelphia , PA Barnes Foundation, Philadelphia Campus |
Brooklyn, NY The Brooklyn Museum American Art Permanent Collection |
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New York , NY The Whitney Museum of American Art The largest selection of works by Edward Hopper |
New York , NY Metropolitan Museum of Art Its extensive collection of American Art |
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Detroit, MI Detroit Institute of Arts American Art Permanent Collection |
Ottawa, Ontario National Gallery of Canada |
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Denver, CO Denver Art Museum |
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By appointment only or online ... email or call ... Art@BodegaBayHeritageGallery.com / 707-875-2911 | ||
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